a lot of changes

run with music

I did some changes, now, working with music. Kat(the soloist in the beginning) was injured, so, she will be just walk through.

I need to work on the rolling, i think that is the theme now. I think it helps to connect the whole piece.

foot work

Finally, arrived to Durham. Chose my dancers, and had a couple of rehearsals.
They generously generated a lot of materials, I tried to look for the connection between theirs and mine, and then put them together in this version.
I dont know where will it flow to, but I am looking for a way to let things make sense.

 

 This is rough run, still, this is just a trial version

 

this is the floor tango that i mention on my writing

27 April

Here is newer version, it was based on some improvisations that I did before, but now with multiple bodies, I was trying to look for the opposition between two bodies, also, one body with group.
I wonder what feeling was shown for the beginning duet? And how does the energy approach speaks to you?
the second video is another duet that I based on the idea of lock and unlock. I wish this has a strong sense of violence.

Grad. Crit. showing

I tried to put some of those ideas together in wed's crit. class.
my question related to this video would be our emotion and intention. Within all my previous improvisation, i never intented to insert any kind of emotional factors, but it ends up with many feedbacks that were emotional related. This is really intriguing me,  i suddently recalled that how i felt when i looked at some of those abstract art works that i saw in museums or galleries. how i can easily related an object to my history or memory. and now, when two living bodies are dancing in the studio, even the concept is abstract, but it would never be too abstract. So, i am curious about how this would be read.